In Hugh
Roberts’ The Queen’s Diamonds, we are given a perspective on the Queen’s
diamond collections. Here is an excerpt of the text of his new book, courtesy
of The Telegraph.
Queen Elizabeth's magnificent jewelry collection is priceless. |
The Queen's collection contains a
number of diamonds with 'histories' – usually a mixture of fact and legend –
that have added to their desirability and fame. The pre-eminent example of such
a stone is the Koh-i-nûr, or Mountain of Light, now part of the Crown Jewels
and set in the crown of Queen Elizabeth, consort of George VI and last Empress
of India. This stone (which has a complicated and certainly part-legendary
provenance encompassing Mughal emperors, Persian conquerors and the rulers of
the Punjab), also encapsulates changing attitudes to the cutting of
diamonds….
The majority of the personal
jewellery in the Queen's collection dates from the 19th or early 20th
centuries. Most of the jewels are set with old brilliants and rose cuts; modern
brilliants are found only on pieces made or remodelled after about 1920. The
settings of the jewellery are of silver, white or yellow gold, or platinum, in
various combinations – platinum being especially favoured towards the end of
the 19th century. With few exceptions, the workmanship is English…
One of the unique aspects of the
collection lies in the rich archival background, which includes inventories,
bills, diaries and other documents held in the Royal Archives and elsewhere.
These records enable pieces to be followed from owner to owner, while also
allowing detailed study of the transformation that many pieces have undergone
as fashions and tastes have changed. The recycling of stones is a particular
feature of the collection: for a variety of reasons, new jewellery was made,
more often than not, using diamonds removed from out-of-date or unfashionable
pieces – often into brooches and, to a lesser extent, necklaces and tiaras…
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